Iran Opportunities

The purpose of this page was to increase the communication between the Iranian people and those outside Iran in order to make foreigners and Iranians better able to meet their needs.

Iran Opportunities

The purpose of this page was to increase the communication between the Iranian people and those outside Iran in order to make foreigners and Iranians better able to meet their needs.

ARRANGEMENT layer


ARRANGEMENT LAYER  art is an art of traditional and one of the oldest Iranian painting styles (painting), and this traditional art from the Safavid period was popular in Iran, but due to its costly and overbearing methods of coloring it was almost obsolete in Qajar period. Which was restored with the efforts of the restored artists and Isfahan artists

According to the existing documents, this art has evolved significantly from the Safavid era in Iran, especially the city of Isfahan, which, along with other architectural decorations such as Gothic, Kill, Mirror, Painting and Miniature, have been used to decorate the architecture of the Safavid houses and palaces

The color of this art is the rose that forms the basis of the work and is used for the ARRANGEMENT LAYER  layer due to its specific adhesion and sunshine

The roses and natural soil are painted during the operation as layers on the design. The work of the plant is very highlighted, and after finishing the work, the surface of the work is coated with a layer of gold



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الطبقة الصینیة

فن الطبقة الصینیة هو من الفنون التقلیدیة وواحد من أقدم لوحات الرسم الإیرانیة . کان هذا الفن الصناعی من العصر الصفوی شائعًا فی إیران . ولکن بسبب التکلفة العالیة والجهد طرق التلوین تکاد تکون فی فترة القاجار لم تستخدم مع جهود الفنانین اصفهان تم احیاؤها .

وفقا للوثائق الموجودة یتمتع بشعبیة فی إیران ، وخاصة فی مدینة أصفهانکان هذا الفن من الفترة الصفویة وبصرف النظر عن غیرها من الزخارف المعماریة مثل الجبس مرآة العمل لوحات ومنمنمات  تم استخدام عمارة القصور والبیوت الصفویة على نطاق واسع .

لون هذا الفن هو الورود مما یشکل أساس العمل بسبب التصاقها المحدد وأشعة تستخدم للطبقة الصینیة.

گل سرخ و خاک طبیعی خلال العملیة ، فی تنسیق متعدد الطبقات على الرسم هو رسمها . شیئا فشیئا ، یتم تسلیط الضوء على العمل

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